I want to get a lure in as many places as possible.” -Oliver Ngyīut timing is everything. That’s how you unlock codes, get new weapons, find all kinds of things. “If you’re playing Zelda or Mario, you poke every brick. Or the tournament directors would say their insurance wouldn’t allow me to fish.” We didn’t have much money, and nobody wanted to take some random kid fishing. “Coming from a single-mother family didn’t really set me up for success there. “I tried to fish local club tournaments and things like that, but usually I wouldn’t get in,” Ngy says. Ngy simply fished wherever and whenever he could, from charter boats on the coast to local lakes through his teens, when he got serious about bass. Most were focused on fly fishing, though even those taught him the importance of matching the hatch. Ngy remembers spending his formative years reading and re-reading the few fishing books he could find at the West Covina Library. suburbs wouldn’t be much help in fueling a passion for fishing. Courtesy of Oliver NgyĮarly on, it may have seemed like the L.A. He was fishing with his dog and his girlfriend, Riley Kolich, who is also an accomplished angler. “From then on, I was fascinated.” An 11-pounder Ngy caught on a topwater in Texas this spring. “It was that moment of ‘almost,’” he says. It was when a bluegill snapped that crusty, sunbaked monofilament that he became enamored. It wasn’t catching a fish that flipped his switch, either. And I didn’t do this because I had this passion for fishing. “I was using crappy, used, pre-snelled hooks I’d find lying around. “I literally started fishing with a stick and discarded line I found at the lake,” Ngy says. But he was ultimately saved by Puddingstone Lake, a 250-acre reservoir just east of La Puente in the city of San Dimas. Ngy’s mother worked as a bookkeeper in his California hometown of La Puente and, as he puts it, they had “little to no money.” It would have been very easy, given the situation, for Ngy to fall in with the wrong crowd or follow the wrong path. He fishes in Air Jordans, blasts A Tribe Called Quest, loves to shoot hoops when he’s not on the water, and carries himself with a swagger picked up on the streets of Los Angeles in the late ’80s and early ’90s. At 41, Ngy still maintains his hip-hop style and flair. His reluctance to play by my rules is, at least partially, a product of Nintendo and the streets. Two years earlier, while chasing wild brown trout, Ngy refused to tie on the jerkbait I’d been crushing with for weeks, opting instead for a rubber swimbait half as big as the average trout in the system.īack in the Jersey swamp, as I watched that duckling splat down over and over, I was caught somewhere between wanting to see a giant snakehead obliterate it in the worst way and wanting him to put on a damned normal-size frog and maybe actually catch his first-ever snakehead on my boat. These SoCal largemouths-a total weight of 56 pounds 6 ounces-marked Ngy’s largest five-fish limit. It was a crawler-style bait that waddled and splashed across the surface and, upon touchdown, hit the water like thunder. When I looked up from rigging my own rod, I wasn’t shocked to see that his version of a “little topwater” was an 8-inch duckling. “OK, I guess I’ll just tie on a little topwater,” Ngy replied. ![]() “You been getting them on frogs and flukes?” he asked. Snakeheads were the target, and one of the few fish he’d yet to catch. The last time I saw Ngy, we found ourselves on my boat tucked into a piece of South Jersey tidal swamp. Your program is, at best, a starting clue in the mystery he’s forever trying to unravel. ![]() And it’s all because he marches to his own beat and runs his own program no matter where he’s fishing. It’s rare for me to meet a fisherman who bucks the mindset of the average angler so hard it makes me feel as though I’m a novice on the water-despite my having been utterly devoted to, and infatuated with, the sport for more than 30 years.īut no matter how dialed in you think you are, no matter how well you believe you know your home turf, Ngy has a way of making you rethink everything. I’VE FISHED WITH Oliver Ngy on my home waters twice, and I walked away from both trips so inspired I was giddy, yet hopelessly frustrated at the same time. We may earn revenue from the products available on this page and participate in affiliate programs.
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Picture Jasper round semi-precious stone beads.What is the difference between waxing, dyeing, heating?.How to identify dyed minerals, artificial minerals and imitations? Simple hammer test can do the trick. ![]() They are supposed to focus on planting seeds (spreading the gospel), so not all evangelists can be pastors. It is a big challenge for an evangelist to take up both the roles of evangelism and being a pastor. But at the same time, guide and direct their congregation on spiritual and life matters. And those who come to church but have not given their lives to jesus christ to the point of salvation. They need to preach the message of the cross to people who do not know Jesus in their communities. It means that all pastors can and should evangelize. “ He said to them, “Go into all the world and preach the gospel to all creation. 16 Whoever believes and is baptized will be saved, but whoever does not believe will be condemned. 17 And these signs will accompany those who believe: In my name, they will drive out demons they will speak in new tongues 18 they will pick up snakes with their hands and when they drink deadly poison, it will not hurt them at all they will place their hands on sick people, and they will get well.” Leaders jesus christ Pastors can evangelize, but not all evangelists should be pastorsĪs we have already seen, every believer has been given the mandate to go into the world and preach the gospel (good news) They are also known as shepherds because God has given them the mandate to take care of his children, just like the shepherd takes care of his sheep. They use their gift to build up the body of Christ by preaching and teaching people about God and helping them to continue growing in their faith. Pastors are called by God to take care of the spiritual growth of the body of Christ. Pastors are responsible for the Spiritual Growth of the Church It is worth noting that evangelists can work in different cities, but a pastor is called to lead a local church within the community. Some pastors may do evangelistic work, and some evangelists may serve pastoral roles. Remember, the definitions and roles of these terms can vary depending on denominations and interpretations, and many pastors and evangelists may perform duties that overlap with each other. Outreach to those who are not already part of a Christian community, often with a focus on conversion. Ephesians 4:11-12 1 Peter 5:1-4 Evangelist Shares the Gospel with non-believers, often traveling to different locations to preach and sometimes starting new churches. ![]() The spiritual growth and well-being of their local congregation. Here is a table that outlines some of the primary differences between a Pastor and an Evangelist based on biblical definitions and modern interpretations: Role Primary Duties Focus Biblical Basis Pastor Provides spiritual guidance and care to a specific congregation, preaches sermons, conducts services, provides counseling, and leads church activities. That is to say, while evangelists plant the seed that is the word of God in the hearts of unbelievers and lead them into salvation, it is the pastors that water and cultivate that word by ensuring that the people who have surrendered their lives to Christ continue to grow spiritually. The main role of evangelists in the body of Christ is to preach the gospel ( good news) and bring people to the church. 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![]() I would love to work with Piper Perri, Ashley Adams, Dakota Skye, Mia Malkova, Remy LaCroix, Lexi Belle, Keisha Grey, Abella Danger. I would like to have a threesome with two guys! Always been a fantasy of mine. Definitely more learning to do as years go on.Ĥ) What/who do you want to do on-camera that you haven’t done yet? It's been a journey, but I've definitely learned from my mistakes. I've spent my whole life learning who I am, learning to love who I am, and be the most authentic version of myself at all times. So I definitely don't mind being in the spotlight. I've been performing as a gogo dancer since I was sixteen. And I've been "exotic" dancing for the past year and a half. So that's a rather new discovery that I'm still having fun with. Didn't even realize I loved BDSM until about six months or so after my marriage. I've been divorced about two years now due to domestic violence. Had my son at eighteen, I was married for a year and a half. I know I'm smart and hard drugs are nowhere near worth losing my mind over. I gained back my ability to think and express myself clearly. I matured a lot by the time I was sixteen through eighteen from going through what I did. Got sent to rehab because of excessive ecstasy use around that time also. Went through recklessness/low self esteem around fourteen/fifteen. Well I've had eight years of experience having sex in my personal life. My favorite was Sasha Grey.Only porn girl I really knew of because I loved her performance.ģ) What do you think shaped you into the sexually strong woman that we see in your porno? Yes, but I didn't pay too much attention to the girl's names when I was first watching porn. "relations", I guess you could say.Ģ) Were you a porn fan before you got into the industry? Who were your favorite porn stars/favorite porn movies? But I had a few friends from different social circles. I was a hippie loner stoner chick basically. I absolutely hope that porn takes this lovely everywhere she wants it to here are her answers to twenty questions.ġ) What kind of girl were you back in high school? Who did you hang out with/date? 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I am just going to send this one back and pray that canon does it right on their pro body. I posted a detailed thing in one of the eos r threads of other issues freezing, banding, soft 60p etc. Everytime I just talk myself into finding a purpose for this camera, ignoring the downfalls, it finds a new way to irritate me. Then the color banding, which is easy to see in motion and at full resolution in PP, makes this frustrating. I hate using neat video, it can take forever sometimes, so that's not an option for quick turnaround. Obviously there is a massive price difference, I just don't think I can achieve the look I wanted (little drama) with this camera. I just never remember having this issue on the c200 I used. I think I mentioned it, but I did manually grade and still had the same issue. I tried over exposing to the point where my highlights clipped, there was still a ton of bg noise. That screen was at the base log ISO of 400. Virtually nothing in the same spot at ISO 400 on the 1DX ii in Marvels WITH the exposure raised 1 stop (Img compression makes it look much worse than it is, can't see noise at all in premiere/original jpg) (Hard to see how bad the noise is in the compressed jpg on a phone, but it is nasty in motion) Purple/Pink, then Green above it to the left of monitor, then purple on bag below. No adjustments made, once I do, banding and noise obviously get a little worse. She wasn't happy to do this test late tonight ?.Screenshot is just 1080p ISO400 CLOG > 709 via CinemaGamut_CanonLog-to-BT709_65 (happens even with just basic s curve, no lut). I need a second angle and sick of borrowing/renting every other month. I really don't want to buy c200 right now, or old c100 etc. Like I have said before, the footage from this camera in 1080p at 24 or 30fps looks decent. WTF did they do to these sensors over the 5D IV? ![]() Not sure why I can see the same colored banding I see on the EOS R when pushing shadows hard in a raw photo? I saw this when originally testing an Eos R in October, that was without Clog. The only thing I can do is turn on all the lights? Exposure was already close to clipping at ISO 600. I used 12 bit CLOG2 from a C200 & didn't have this bad of noise, also no banding. I tried the same settings on the 1DX with Cinestyle, Marvels etc. This is on the background wall, it is also quite noisey, enough that I have to use some NR which is a pain. Included Canon Log3 LUTs: Clog3 to Rec709. I developed this LUT simply because I was not happy with the Canon provided LUTs, namely with how blues and skin tones were mapped as well as contrast. Normal exposure and slightly over exposed both show pink and green in horizontal bars about 1/8th the screen size. A fantastic one-click Rec709 transform LUT for Canon Log 3 (Rec709 Gamut) footage. I set my camera to ISO 400 and tried ISO 600 with a large key light and small background light. I used the CinemaGamut_CanonLog-to-BT709_65 and that seems to be close. If you want to use these LUTs on rec.709 footage make sure to lower the opacity of the LUT and lower the contrast and saturation of your footage. Well, I still haven't read any instructions. Hyper: PLEASE HELP ME ( several rogues pop in to kick the opponent ass)ĮX: A tiny rogue walks around following her.Can grab to the sides of the stage and hop on opponents heads. Super: Death phrase as a normal move ( guitar riff)ĮX: lamarta follows her, gains teleport, gains some slashing moves. Rogue is a fun and powerful character that has an interesting mechanic that makes her quite unique. shakes butt as taunt.Įx: air run, walk has the invicibility frame.Įx: some punches create pillars of energy, gains teleports.Įx: gains energy field for block, has electrical effects on the throw Hyper:ground smash with electric wave dischargeĮx, any button other than weak buttons left pressed, leaves a trail of electricity that adds one hit to them. Rogue (Read 104137 times) Started by RajaaBoy, April 24, 2011, 09:32:33 AM. Her ground hp gains the punching ground anim with the bloody hands from jedah hpĮX:gains his stretching Hard punches, can teleport when pressing back back on the edge of screen, jumps are floaty, I would joke about having her divide herself in two, and legs and hands attacking separately but that would look weird.Įx: dash becomes a low one with water effects, gains claws on hpītw for that overdrive mode i suggested, she could have a pulsing palette, like gill.Įx: growling sounds all around, with a afterimage. ![]() Super: Ira Spinta ( that aerial throw he has, that can be cancelled into a giant rotative blade) Gets a trail of sprinkly powder when jumpingĬrouching HK is a sliding kick with a bladed foot. ![]() UPPER CASE TITLES and "Urgent!" posts will also be removed. Posts with titles like "A composite I made", "Made this because I was bored", or "what do you guys think about this?" will be removed.ĭon't humble brag with titles like "My first try at Photoshop, It's not much but I'm proud.". Posting before/after pics is encouraged.Īlso explain the motivation or context behind your work, or what you were trying to achieve. Leave a comment shortly explaining the process of how you created your artwork / edit. When posting your Photoshop creations, explain the process and context. You can share several works at once by making an album.Īlso consider being an active member of the community by commenting on others' posts and helping users solve their problems.ĭigital paintings should be posted on a more relevant subreddit, such as /r/DigitalPainting You can post content you have made with Photoshop as long as you have actually put some effort in.ĭon't use the subreddit as a personal art gallery You can share your creations, but you must wait at least 10 days before posting more. For image identification see /r/sleuths and /r/RBI, for fonts see /r/identifythisfont Mods can and will remove content that does not meet our quality standards, such as memes, face swaps, beginner/low effort/unoriginal edits, low resolution images or questions like "is this photoshopped?" or "What font is this?". No URLs or social media handles in post titles.ĭon't post Photoshop creations that promote real brands or products (such as advertisements, YouTube thumbnails etc.) Posting content with the sole purpose of promoting your YouTube channel / website is not allowed. Check /r/picrequests or /r/photoshoprequest instead List of Photoshop Assets (Brushes, Plugins, Textures etc.) r/Photoshop's list of helpful learning resources (Start here if you are new!) ![]() This group is for general questions, tricks, techniques, troubleshooting and so forth. ![]() Welcome to the Adobe Photoshop subreddit. Click here to show unsolved question posts (and try to help the posters) The Sidebar ![]() ![]() ![]() If that much is possible, then it feels like having that sort of system directly controlled within the Editor could significantly empower animators, compared to the classic 'store a special pose keyframe in another timeline to paste in when you need it' approach, and could be applied to a wide range of custom poses outside the classic example of a head turn.Īnnnnnd, thus ends my impromptu feature pitch.It’s set in ancient Greece, a world of gods and monsters where mermaids and centaurs walk the earth and crack jokes along with everyone else. Much of this is already possible to some degree if an animator were to work extensively with a programmer to create a control system in something like Unity, wherein some scripted sliders in Unity would control the Alpha blend of a list of 'target pose' animation tracks to achieve dynamic expressions at runtime. If, like in the Preview panel, there were the option of applying that target pose additively, a rigger would even be able to set up a system where specific elements of an expression could be applied through control sliders, behaving very closely to Maya's Blendshapes feature. With each of these yellow dots representing a defined target pose coordinate, a single controller bone moving through these coordinates could blend seamlessly through many extremes and a rigger could add breakdown poses to fix any zones where the posing falls apart, which seems to be quite similar to how CA4 is treating the setup. In a world where one bone can be connected to MULTIPLE target poses, it may even be possible to set up a controller like the one featured in the Cartoon Animator 4 video. Maybe they grab a forearm and connect the activation of the target pose ( a swollen bicep) with a specific rotation value of the forearm. Maybe they make a dedicated control box bone like the one this user envisioned. The benefit to a system like this is that the animator could control that alpha-blend-like process themselves using any elected bone as the controller. In my mind, this is identical to if one were to go to the Preview panel and slowly drag the Alpha up from 0 to 100 on a separate animation track containing keys on only the necessary elements of the target pose. The closer bone A gets to a pre-defined value (an X/Y transform coordinate, in most cases), the closer any other implicated elements get to their target pose.For simplicity's sake, imagine it as a separate animation track containing only one frame, in which the face is posed in a side view. There is some context in which the user can define a pose.How I envision it working in its simplest form is this: It may also be somewhat related to the planned Range Constraints feature, but it doesn't seem encompassed by it, so bare with me. I should obviously preface this with the fact I'm not a programmer, but I feel like a script-free and potentially lightweight solution may be possible. ![]() Hi, Nate! I've been ruminating on this matter for a while now, though I'm sure you've put no small amount of thought into it as well. Now if I can take a moment to hijack your thread to address Nate. As Erika mentions in this thread, a lot of cartooning programs use scripts to achieve this effect, which she also confirms aren't planned for Spine for the near future. I've seen a lot of people asking about ways to rig up automatic custom poses to achieve more smoothly automated controllers like CA4 has. So you can't get a 360 automated rotation, but you can do some extra legwork and still achieve it manually. Sometimes I keep separate dummy animation tracks to store the keyframes for these custom angles, then just copy those keys into my main animation timeline when I need to hit that pose again. After that point, it's usually up to the animator to custom pose the rig into the desired shape. Most of the rigs that I've seen (or created) can only achieve a certain degree of automated rotation before the face direction controller reaches its limits. ![]() This pattern is derived from Splitter in Enterprise Integration Patterns, by Gregor Hohpe and Bobby Woolf. If you are using your phone for video calls, or streaming live with others, then this combination of JOBY Wavo microphone, Wavo 3.5mm Cable Splitter and. splitter by laymen or consumer software providers, is software that demultiplexes individual elementary streams of a media file, e.g., audio, video, or. ![]() If so, ensure that the child Events include a data field containing a reference to the original parent Event (for example, a unique identifier). Which will then send it over to my streaming PC.) Now we have our 2 output devices selected, next well go over how to properly route and split the audio. A use case may require that you track the lineage of parent and child Events. Why tune one and sacrifice the other For the first time ever, you can set separate equalizer effects for both game and chat, then send.For capacity planning and sizing, consider that splitting the original Event into N child Events leads to write amplification, increasing the volume of Events that must be managed by the Event Streaming Platform.If you have child Events that must be routed to different Event Streams, see the Event Router pattern, used to route Events to different locations. It beautifully integrates a digital audio mixer, video switcher, multi-viewer touch screen and USB video/audio streaming interface into a stand-alone device. |
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